Yesterday, Leah Ollman (of Art in America and the LA Times) and Phong Bui (of The Brooklyn Rail and P.S.1) offered a few gems of wisdom about art criticism to those who attended the first in a series of three Viewpoint…
Teresita Fernández
by Claire Ruud
Artist Teresita Fernández recently revolutionized The Blanton Museum's atrium with her semi-permanent…
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Matt Stokes
by Kate Watson
We’ve heard a lot about Austin punk in the last year, with projects exploring the topic at such varied locations as Gallery Lombardi, Fluent~Collaborative’s very own testsite…
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REVIEWS
Enrico David
Museum für Gegenwartskunst, Basel
Through May 3
by Quinn Latimer
“I can only trade one opacity of experience with another,” Enrico David has written of his work with a kind of sly finality. Yet the…
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Warhol and the Shared Subject
Fort Worth Contemporary Arts
Closed February 1
by Alison Hearst
It’s true; we’ve seen a lot of Warhol lately. Trying to count the recent Warhol-centric exhibitions is a bit like counting sheep. The…
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Imaginary Spaces
Menil Collection, Houston
Through March 1
by Alvaro Ibarra
Imaginary Spaces, currently at The Menil in Houston, consists of seventeen artworks selected from the museum’s permanent collection…
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TO THE EDITOR
Jason Jay Stevens
Katie Geha's review of the ArtPace 08.3 exhibition was refreshing for its direct critique. Well-written and brave. I appreciate her nod to the by-definition potential for failure wherever experimentation…
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“Identity is a disease”-Arakawa and Madeline Gins, Reversible DestinyUpon reflection on this statement, we may begin to realize the restrictions and plurality of identity, and some of us may even find weakness in…
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…might be good, a project of Fluent~Collaborative, is a contemporary art e-publication based in Austin that reaches over 5,000 international subscribers. Understanding Austin as one hub within a larger network of art communities, …might be good provides a platform for thoughtful dialogue about artistic production and reception. Every two weeks, the publication offers a few reviews, interviews and features in response to noteworthy happenings within our immediate surroundings in Austin, our regional setting within Texas and the context of art communities worldwide.