15th Annual Young Latino Artists: Consensus of Taste
Opening Reception: Friday, July 16, 7-9pm
Mexic-Arte Museum, the Official Mexican and Mexican American Fine Art Museum of Texas, presents the 15th Annual Young Latino Artists (YLA) Exhibition: Consensus of Taste. Curated by Claudia Zapata, M.A. in Art History from the University of Texas at Austin, this exhibition features the current visual artwork of artists from the past fourteen YLA exhibitions. American art critic Clement Greenberg's paper “Can Taste Be Objective” suggests there is a “consensus of taste” in which disputed taste eventually is agreed upon by all parties. The curator utilizes this concept to showcase past YLA artists' current work and their development into professional visual artists.
Opening Reception: Saturday, August 7, 7-9pm @ Domy Books
Organized by Andy Coolquitt, Domy Books and Okay Mountain team up to throw together a potluck of artists. 88 features: Jamie Panzer, Jill Thrasher, Kal Spelletich, Nic Maffei, Regina Vater, Sheelah Murthy, Steve Jones, Teresa Hubbard, Theresa Houston, Lance Letscher, Bob Anderson, Bogdan Perzynski, Carollee Schneemann, Elisa Jimenez, Luke Savisky, Peter Glassford, Sawad Brooks, Julia Maffei, and the list goes on. Check it.
Jules Buck Jones
Opening Receptions: Sunday, July 11, 6-10pm
Conceived of as a continuous drawing spanning 98 pages, artist Jules Buck Jones' Everglades chronicles his residency in Everglades National Park in the summer of 2009. During this residency, Jones spent the park's off-season living alone in a bunker where scorpions and frogs covered the walls and hawks circled the front yard. He passed his days canoeing among alligators, crocodiles, sharks, and 15-foot Burmese pythons and his nights searching for the rare Florida Panther. The work this wildlife inspired combines the illustrative precision of field guides with the expressive nuance of nonrepresentational art.
Faith Gay and Raymond Uhlir
Opening Reception: Thursday, July 8, 6-10pm
d berman gallery is pleased to present two Austin artists with a unique sense of color, design, and narrative. Faith Gay applies her signature treatment of vivid colors, repetitive shapes, and sense of whimsical delight to an exploration of reclaiming and reconfiguring found materials from daily life as well as from her own previous work. Raymond Uhlir creates personal mythological vignettes which combine the bold visual aesthetics of vibrantly colored cartoon worlds and the compositional elements of traditional allegorical painting.
Opening Reception, Saturday, July 10
Causes from small and big events are worth looking at. When looked at long enough it becomes increasing clear that it happened because it had to. Not like in a Calvinist way but just in the way that things are just supposed to happen. In this particular case a lumber yard is created as an embryonic form evolving into a WNBA team by means of profit margins. After branding the WNBA team GOD multiple other causal episodes occur.
The Portrait Group Exhibition
Opening Reception: July 10th, 6-8pm
The L. Nowlin gallery opens a group show focusing on portraits. Just another portraiture show? You can preview the show here.
Opeing Reception: Friday, July 3, 7-10pm
Please join Big Medium for Michael Mercks, Too Many Unique Users of the Sun. This exhibition is comprised of new and recent large-format works on canvas which focus on the cerebral and experiential aspects of painting while ignoring or drawing comparison to the medium's formal concerns.
Austin on View
Ron Regé, Jr.
Through July 29
The Cartoon Utopia began in early 2008 as a series of 60 small drawings focused on ideas relating to a futuristic “utopian” world. After attending Alchemical lectures in Los Angeles, the project was expanded to include larger drawings, and longer comics pieces relating to aspects of the the present “consciousness” movement, as well as taking inspiration from older esoteric traditions.
New Works for the Collection
Through August 22
The Blanton is pleased to present New Works for the Collection, a summer exhibition highlighting more than sixty new acquisitions from among the hundreds of works recently acquired through gift and purchase.
Through August 15
In Running the Numbers, Chris Jordan takes statistics that are too big for the mind to grasp and makes them shockingly beautiful for the eye to behold: 2 million plastic bottles used every five minutes… 380,000 kilowatt hours of electricity wasted every minute. By fusing image and information into epic photographs, he asks us to consider our roles as global citizens.
Through August 15
AMOA's New Works presents Sunyong Chung. Known for her functional ceramics, Chung pushes into new territory with two monumental sculptures. A nine-foot circular solid covered in porcelain tiles and a suspended pendulum of steel and paper explore the cosmic, the earthly, and the everyday human experience.
Through July 15
Leah DeVun's photographic series draws its title from Lesbian Land, a published collection of writings by lesbians who founded or lived in women's intentional communities, sometimes called "womyn's lands," in the 1970s-80s. With this show DeVun takes the history of Women & Their Work as a jumping off point to ask viewers to consider the nature of queer and feminist space in the past and present.
Through July 10
Viewed from a distance Francesca Gabbiani’s intricate assemblages are easily mistaken for paintings. Their flattened realism is upon closer inspection composed of thousands of densely layered abstract shapes of cut paper. The often decadent imagery present in Gabbiani’s work complements and echoes her craft. Influenced by cinema, the interior space - both physical and metaphysical - as well as melancholia, Francesca Gabbiani illustrates surreal fleeting moments.
San Antonio on View
On the Road
Through September 5
On the Road takes its title from the legendary book by American poet and novelist Jack Kerouac, who recounts his eventful road trips across the United States in the late 1940s. The exhibition investigates the mythology of the American motoring adventure as it began to develop in the early 1920s, with the advent of immense expansions of the highway system, particularly in the West of the country. On the Road also features an impressive and historical selection of artists including, Robert Adams, Ant Farm, John Baldessari, Walker Evans, Robbert Flick, Mary Heilmann, Roger Kuntz, Danny Lyon, Catherine Opie, Allen Ruppersberg, Ed Ruscha, Stephen Shore, Alexis Smith, Kon Trubkovich, Andy Warhol.
Through July 31
These sculptures appear to be machines or ritual objects operating in some bizarre institution but are in fact, assemblages of found objects imbued with science elements including: samples of the oldest life ever discovered, lenses which reflect 3-dimensional images, inorganic "specimens" in fluid and fiber optic projections. The show also features the first work in space?? Go to his website for more information.
Through July 28
Cactus bra SPACE, in the Blue Star Art Complex, presents Trajectory by Ryder Richards. Richards new drawings, installations, and sculptures are derived from the ballistic trajectory of a .243 Winchester rifle. The works explore the physical and metaphorical quandary of a trajectory as a quantified destiny, attempting to alter the predetermined path. The exhibition features drawings and installation with a large antelope head created using gold leaf and gunpowder.
San Antonio Closings
Through July 17
Alejandro Diaz, currently based in New York City, is originally from San Antonio where he developed provocative and pertinent bodies of work influenced by the complex and visually rich cultural milieu particular to South Texas and Mexico. For Just in Queso, Diaz introduces new works utilizing a conceptual, recurrent use of everyday materials; an irreverent and humor infused critique of cultural stereotypes, politics, and the contemporary art world; and an ongoing involvement with art as a form of entertainment, activism, public intervention, and free enterprise. His work represents a range of mediums, including paint, neon, watercolor, sculpture, and installation.
Opening Reception: July 9, 6-8pm
Using memory and haunting imagery as catalysts for his self-reflexive paintings, Seth Alverson distills the most essential elements until they are heightened to a level of transformation. This transformation occurs through the act of painting by placing intention on the images, and in turn helps us find rationality in futility to apply meaning in our everyday.
Opening Reception: Saturday, July 3, 7-9pm
In sixty years as an animator Gerard Baldwin has made over 600,000 drawings. Although most of the drawings have disappeared, evidence of Baldwin's art can be seen on television every day. Hundreds of animated films have been shaped by his hand, including (but not limited to) The Rocky and Bullwinkle Show, The Smurfs, Yogi Bear, Mr. Magoo and The Flintstones. He is the recipient of numerous awards including eight Emmy nominations and three Emmys.
Houston on View
Through August 15
Contemporary Italian artist Maurizio Cattelan is known for his witty embrace of semantic shifts that result from imaginative plays with materials, objects, and actions. In his work, contradictions in the space between what the artist describes as softness and perversity wage a sarcastic critique on political power structures, from notions of nationalism or the authorities of organized religion to the conceit of the museum and art history.
Through July 25
Hand+Made explores the performative impulse in art and craft. There's so much great work in the show, it's hard to single out just a few highlights. Among them is Sheila Pepe's Common Sense II, the second iteration of a project the artist first conceived in Austin at testsite last summer.
Through August 8
For her installation Sometimes in My Dreams I Fly, Andrea Dezsö will expand upon a technique she uses to make her distinctive “tunnel books.” Small, handmade books that reveal three-dimensional scenes, tunnel books are created from layers of paper that are individually drawn, cut out, and painted.
Dallas on View
Through August 8
Curated by Regine Basha, Seedlings brings together nine emerging artists to the newly-renovated cavernous space of the Dallas Contemporary. Each artist investigates ways nature or natural systems have informed human industry and the evidence of a hybrid process of productivity. Through a reconsideration of methodologies of artmaking, the works focus on the possibility of collaborations with nature, degrees of interconnectivity, mimesis and its discontents, and entropy as an ecstatic state.
Susan Barnett, Ellen Berman, and Kia Neill
Through July 24
Conduit Gallery opens three new exhibitions featuring Susan Barnett, Games and Icons, Ellen Berman, Every Day, and Kia Neill in the space's Project Room.
The Non-Profit Margin
Through July 24
In an effort to challenge the traditional avenues of the exhibition and consumption of art and the art experience, The Non-Profit Margin presents work that confronts the current global economic crisis. Drawing from current residents at CentralTrak and the local community of artists, The Non-Profit Margin includes Richie Budd, Shelby Cunningham, Gary Farrelly, give up, Professor Riccio and Doctor Dufour, Marjorie Schwarz, and Ludwig Schwarz.
Through July 17
Marty Walker Gallery presents 'Post-Now' with works from Anna Krachey, Buster Graybill, and Jesse Morgan Barnett. With a lot of recent attention on global warming and religious fanatical end-of-world warnings, these artists confront the roles of agriculture, technology, and industrialism in a society left without humans. Each artist removes a sense of reality through abstraction, contrasting absurd materiality with the fluidity of life. The photographs, sculptures, and video reveal spontaneity of movement against static material constructions, poetically staging events that articulate the pervasive presence of life by showing its absence.
Through July 18
FOURPLAY features work by John Casey, Mr. Hooper, Frieda Gossett, and Bruce Lee. Plus: man boxes by Pinky Diablo upstairs.
Through December 31
In celebration of its 15th anniversary, Artpace presents the first-ever U.S. survey of 95.1 Artpace alum Felix Gonzalez-Torres' billboards in a yearlong, state-wide exhibition of 13 seminal works sited in Dallas, El Paso, Houston, and San Antonio. Major underwriting for this special exhibition is provided by the Linda Pace Foundation, with generous in-kind support from Clear Channel Outdoor.