Austin Openings

Kale Roberts

Opening Reception: Saturday, December 4, 7-11pm

The installation will focus on the discrepancy between value and worth, taking into account labor and comfort as intrinsic components of monetary value. The exhibition features a bed, a dollar bill quilt setting, television, sound installation and the smell of money highlighting the creation of the quilt.

Devon Dikeou

Domy Books
Opening Reception: Saturday, December 11, 7-9pm

The exhibition is about connections—how they are made, where they lead, or don’t, and the value of those connections, plus the various ways those connections are made, or conversely lost, destroyed, outdated. The works examine this through my practice of differentiating the contexts of the artist, viewer, and critiquing viewing contexts—gallery, store, museum, office, street, magazine—and elsewhere.

Amanda Ross-Ho

Visual Arts Center (Vaulted Gallery)
Opening Reception: Friday, January 28, 2011, 6–9 pm

During the course of this evolving on-site work, Amanda Ross-Ho will invite viewers to become participants in an ongoing examination of the boundaries of the white cube, the direct and indirect products of creative expression, and the connectivity of the visual world. Her site-specific installation will transform the Vaulted Gallery into an active worksite dedicated to producing three basic elements: blank stretched canvases, simple hand-built ceramic vessels, and handmade paper. Ross-Ho collapses the life cycle of the creative process through the performative act of embedding the gallery with the energy of production. The three manifestations of the ‘empty’ space produced—canvas, vessel, page—will create an environment that both formalizes the ability for massive potential and serves as witness to mass activity.

Natasha Bowdoin

Visual Arts Center (The Arcade Gallery)
Opening Reception: Friday, January 28, 2011 6–9 pm

The Daisy Argument by Houston-based artist Natasha Bowdoin is the third incarnation of a project that documents her transcription of Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking-Glass. Over the past few years, Bowdoin has used language as an organic material to explore the unpredictable presence of words. Her site-specific installations are composed of an ever-changing number of components, including drawings and phrases carefully cut from paper that are re-appropriated with each new exhibition.

Austin on View

Mequitta Ahuja

Through January 2, 2011

Also on view at Arthouse, Automythography II (2010). Enamel and glitter on paper. Located on the first floor gallery. Check out her interview with Wendy Vogel in Issue #157.

Ryan Hennessee

Through January 2, 2011

Commissioned specifically for Arthouse’s second floor video projection screen, Austin-based artist Ryan Hennessee has created a looping video animation that cleverly reimagines and collapses the past, present, and future of 700 Congress Avenue.

James Sham

Through January 2, 2011

Close Caption, a witty video that addresses issues of language, translation, and mistranslation via DJ Kool’s song “Let Me Clear My Throat,” inaugurates Lift Project, a series of short video works shown in Arthouse’s new passenger elevator. Part of LIFT Projects, located in the elevator. 

Jason Middlebrook

Through January 16, 2011

For his Arthouse commission, New York-based artist Jason Middlebrook transforms detritus from the building’s renovation into sculpture, dining furniture, and other functional objects, all of which combine to evoke the history of the Jones Center and its longstanding importance as a gathering place for the Austin community.

American DREAM

Women and Their Work
Through January 6, 2011

Without ever revealing a face, photographer Lupita Murillo Tinnen creates powerful portraits of undocumented students. The obscured faces suggest the invisibility of their personal plight and the precariousness that their undocumented status creates. Using the students’ rooms as a lens to view their Americanized identities, Tinnen creates poignant images of lives constantly threatened by joblessness and deportation. Tinnen puts a human face on the statistics and titles each image with the student’s academic interest and the age they were brought to the U.S. This work is presented against the backdrop of pending legislation: the Development, Relief & Education for Alien Minors (DREAM) Act that would provide a pathway to citizenship.

Drawn Together

grayDUCK Gallery
Through January 9, 2011

grayDUCK gallery is pleased to present work by artists Allen Brewer and Pamela Valfer who both draw their inspiration from the discarded, forgotten and the ignored.

10th Anniversary Group Show

d berman gallery
Through January 22, 2011

d berman gallery is celebrating our 10th anniversary this year! To cap the year, we’re having a giant, rollicking 10th anniversary group show…. with a little bit of everything fabulous.

Advancing Tradition: Twenty Years of Printmaking at Flatbed Press

Austin Museum of Art
Through February 13, 2011

Imagine a place where artists Terry Allen, Michael Ray Charles, Trenton Doyle Hancock, Melissa Miller, James Surls, and Julie Speed, among others, collaborated with master printmakers to stretch the limits of their practice and the media. That place has thrived for twenty years in the form of Austin-based Flatbed Press, an active laboratory for innovative printmaking.

New Works: Eric Zimmerman

Austin Museum of Art
Through February 13, 2011

New Works exhibition series introduces fresh contemporary art by innovative artists. Eric Zimmerman’s painstakingly rendered small and large-scale graphite drawings, functional sculptures, and archival sound works consider the history of American exploration and industry, progress and failures.

Dan Rushton

Champion Contemporary

Presenting new and never seen before works at Champion, Dan Rushton's paintings are visceral compositions in vibrant hues that encompass otherworldly meditations on life, growth, and decay. Rushton employs an exacting collage technique in his works that involves the layering of multiple swathes of painted paper to create both seductive and jarring imagery. Don't forget to check out Chris Sauter's Exploding Silos in the Project Room.

Tony Feher


For his Arthouse commission, New York-based artist Tony Feher has activated and transformed a typically overlooked architectural space - the void between the ceiling and supports - through a carefully considered deployment of everyday objects.

Austin Closings

Cyprien Gaillard

Through December 5

Continuing the Paris and Berlin-based artist’s longstanding exploration of the built environment, this non-narrative film focuses on Cancún’s anachronistic and decaying landscape as a symbolic site of memory and loss.

Ry Rocklen

Visual Arts Center (Vaulted Gallery)
Through December 18

Ry Rocklen’s installation of sculptures seeks to venerate the everyday materials and objects of the urban landscape, transporting an investigation of discarded domestic detritus into a constructed space of exaltation within the Vaulted Gallery. The marriage of traditional arts materials, such as highly polished tile and a patchwork floor quilt constructed from locally discarded pieces of used carpet, display his innate interest in geometry and the domestic space. The grouping of sculptures reflects Rocklen’s artistic processing of found components of the city, incorporating elements of Thai Buddhism and mystic rituals to explore our contemporary connection to commonplace objects.

John Kingerlee

Visual Arts Center (The Arcade Gallery)
Through December 18, Closing Reception: December 3, 6:30–9 pm

The Visual Arts Center is proud to present a solo exhibition of abstract, narrative and figurative paintings and mixed-media works by Anglo-Irish painter John Kingerlee, curated by UT alumnus William Zimmer. This survey of Kingerlee’s work includes paintings the artist executed after moving to the remote Beara Peninsula in southwest Ireland in the early 1980s.


Visual Arts Center (East and Mezzanine Galleries)
Through December 18

The VAC presents Combined, featuring recent work by faculty artists in the Department of Art and Art History at The University of Texas at Austin. The exhibition will span both the East and Mezzanine Galleries to showcase a large number of works over a diverse range of themes and media that offer a rich survey of recent activity by the Department’s faculty artists.


Visual Arts Center (Center Space Project)
Through December 18

Anthropogenesis showcases the work of six contemporary artists who use animal imagery in ways ranging from exercises in draftsmanship to explorations of non-human consciousnesses. Jonathan Keats’ ballet for honeybees assumes an insect audience and performers. Jules Buck Jones’ new paintings of birds, reptiles and amphibians reference mankind’s taxonomic organization of animal species. Other artists, like Margot Holtman and Kelly Rae Burns, merge totemic human and animal forms, while others relate human and animal identities. Anthropogenesis considers animals and animal behavior as an artistic source.

San Antonio on View


Unit B Gallery
Through January 1, 2011

Unit B is pleased to present KUU, a group exhibition featuring recent works by Estonian artists, Juri Ojaver, Jaan Paavle, Paul Rodgers, and Jaan Toomik, organized by Riley Robinson (San Antonio, TX). The four artists working primarily in video and sculpture, have all in some way made observations on the change (or sometimes lack of change) to the Estonian psyche and society during recent years

Matthew Ronay

Through January 2, 2011

Matthew Ronay's art occupies a space where illustration, tableau, sculpture, and installation all intersect in harmonious indifference to one another. Since 2004, his arrangements of discreet, colorful, mutated objects have evoked wild manifestations of surrealist imagination and hallucinogenic visions, with distended narratives designed to provoke or even outrage viewers through their irreconcilable compositions and outrageous imagery, such as drooping anuses skewered on a pole. Indeed, like Dada and Surrealist artists earlier in the 20th century and American Funk musicians of the 1970s, whose work employed metanarrative, metaphor, provocation, and fantasy as devices for addressing human behavior in times of social upheaval, Ronay's work has been a manifesto of the spirit, screaming back at us with pieces that suggest that fear, pain, and violence have replaced pleasure in a society increasingly indifferent to war and terrorism.

IAIR 10.3: Henning Bohl, Roy McMakin, Adam Schreiber

Through January 9, 2011

Berlin-based artist Henning Bohl's work is an investigation of the language and structure of painting. He often pushes his vividly hued paintings into the realm of sculpture through collaging curled paper onto canvas or utilizing canvas supports in unconventional ways. Roy McMakin's woodwork defies categorization. His skillfully designed tables, chairs, and sofas fit as easily into a domestic space as they do into an art exhibition, and the degree of an object's functionality is often determined by the environment in which it resides. Adam Schreiber is an Austin-based photographer who mines the potential meanings of cultural artifacts and abandoned corporate spaces. Concerning his philosophy, Schreiber states that he is "more interested in how the medium of photography invents something than how it records something." Curated by Michael Darling.

James Castle

Lawrence Markey
Through January 28, 2011

Exhibition of handmade books by James Castle. Castle was a self-taught artist, born profoundly deaf, who created drawings, collaged objects and books with consummate dedication throughout his lifetime.

Houston on View

What We're Up To

Box 13
Through December 16

BOX13 ArtSpace is pleased to present What We’re Up To, the first ever exhibition featuring all of our resident artists. Seventeen artists will fill the BOX13 gallery spaces with new pieces they have been working on in their studios. This show will give viewers a chance to catch up with long time members and get acquainted with some new faces.

Emilio Perez and Myungjin Song

CTRL Gallery
Through December 23

In More Reasons Than One, the intrigue of Emilio Perez' paintings lies in their ability to so successfully, and beautifully, contradict themselves. They are as flat as maps yet as voluminous as a volcanic plume; as still as stained glass yet as full of movement as churning river rapids; as exuberantly sensuous as a Baroque masterpiece yet as analytical and detached as a Lichtenstein brushstroke painting. Myungjin Song's solo show, Being in Folding, will be her first US gallery exhibition. Since earning her MFA from Hongik University in Seoul, Song has developed an immediately recognizable style of painting that combines ambiguous allegorical narrative with a tendency towards flatness and an obsession with chromium oxide green.

Kirsten Pieroth

Contemporary Arts Museum Houston
Through January 2

Berlin-based artist Kirsten Pieroth plays with the materials and histories of everyday objects—books, maps, bottles, maps, and furniture parts. Looking for loose connections and unexpected possibilities in and between commonplace things, she uncovers new opportunities for transformation and communication.


Inman Annex
Through January 8

Weasel features work by Maurizio Cattelan, Mads Lynnerup, Eva and Franco Mattes aka 0100101110101101.ORG, Jim Nolan, Brina Thurston, Karla Wozniak and Joe Zane. Curated by Kurt Mueller and Chelsea Beck.

Sigrid Sandström

Inman Gallery
Through January 8, 2011

Three different videos by artist, Sigrid Sandström, will be screening in the North gallery.

Yuko Murata

Inman Gallery
Through January 8, 2011

Yuko Murata, born in Kanagawa, Japan in 1973, lives and works in Tokyo. Over the past ten years, Murata's practice has focused on small oil paintings, deceptively simple in both subject matter and execution. Spare landscapes rendered in a muted palette or (usually) solitary animals predominate her imagery. Lively, considered brushwork animates the surfaces of these intimate works: a view in raking light reveals the rich expressive strokes.

It's better to regret something you have done...

Art Palace
Through January 8, 2011

Art Palace presents, It's better to regret something you have done..., featuring the works of Jillian Conrad, Nathan Green, Kara Hearn, Jim Nolan, Linda Post and Barry Stone. While each artist explores an individual path with their work, together they create a shared dialogue around the punk rock sentiment that it's better to regret something that you have done than to regret something you haven't. The keen wit that unites these artists showcases the gallery's affinity for presenting unconventional work and sets the stage for the fresh perspectives and projects slated for the coming year.

James Drake

Station Museum
Through January 9, 2011

James Drake’s videos, drawings, sculptures, poetry, and installations reflect his understanding of Man’s place in nature and the presumptions and the psychological struggle that often result in tragedy. In his works of art, James Drake’s personal journey across the harsh desert of self-reflection reveals the starkness of the political and social unrest afflicting Man.

Benjamin Patterson

Contemporary Arts Museum Houston
Through January 23, 2011

Benjamin Patterson: Born in the State of FLUX/us is a retrospective of the artist’s career, which now spans nearly fifty years. Emerging in the early 1960s with work that fell under the rubric of Fluxus or Neo-Dada, Benjamin Patterson co-organized the first International Festival of New Music, which debuted at the Staatsmuseum in Wiesbaden in 1961. One of the last surviving members of that constellation of artists whose works were featured at the festival—John Cage, Dick Higgins, Emmett Williams, Philip Corner, David Tudor, and Nam June Paik, among others—Patterson helped to revolutionize the artistic landscape of the times and usher in an era of new and experimental music.

Houston Closings

Brent Green

Through December 8, 2010

Pennsylvania-based artist and filmmaker Brent Green returns to DiverseWorks on November 5 with his latest work Gravity Was Everywhere Back Then, a whimsical installation of video, sculpture and sound featuring an opening night performance by Green and his collaborator, musician Donna K. The exhibition, named after Green’s first feature length film, is inspired by the true story of Leonard Wood, an eccentric hardware store clerk from Louisville, Kentucky.

Dallas Openings

Dan H. Phillips

Webb Gallery
Opening Reception: Sunday, December 5, 3-7 pm

The art & craft of Dan H. Phillips. The show includes paintings, drawings, furniture, and early American installation. Check out this youtube video and don't forget to check out the ceramics upstairs by CW Block.

Mike Osborne

Holly Johnson Gallery
Opening Reception: January 8, 6-8pm

Mike Osborne's Papers and Trains brings together two distinct but subtly interconnected photographic projects. Press Pictures revolves around the newspaper production process while Underground focuses on the subterranean waiting areas of a German metro system.

Dallas on View

Garland Fielder

Holly Johnson Gallery
Through December 18

Garland Fielder’s work is meticulously crafted invoking a minimalist tradition. Keeping the palette to a minimum of elements and colors, his methodology is elegant and refined. His art explores mathematical and geometric principles and is primarily concerned with the optical decision making process. The extraction of line and the flattening out of structural elements are ways in which he plays with the phenomenology of formal expectation. The exhibition, Modulations, is inspired by this formal play between both two and three dimensionality.

Liz Ward and Susie Rosmarin

Dunn and Brown Contemporary
Through December 18

Dunn and Brown Contemporary is pleased to announce the opening of Liz Ward, Deep Time, and Susie Rosmarin, New Work.

Art + Object

Marty Walker Gallery
Through December 23

Marty Walker Gallery presents Small Works: Art + Object -a small sculpture invitational featuring strange and fantastic small art objects from a selection of 16 stellar artists. This assembly of sculpture debunks the trend that “bigger is better,” and by working within a small format, these artists have created a mess of random creatures and fascinating objects that demonstrate the power of big ideas imagined in scaled-down and accessible forms.

Todd Camplin

Holly Johnson Gallery
Through December 24

Todd Camplin has been working with abstracted text since 2003. His recent work borrows words and phrases from greeting cards, poems from friends, and quotes from other artists. The ink drawings on paper are built up with layer upon layer of abstracted texts. From afar they appear like multi-colored geometric abstractions yet upon closer inspection one can see compressed letters and phrases creating a completely new narrative.

Vernon Fisher

Modern Art Museum of Fort Worth
Through January 2, 2011

Vernon Fisher: K-Mart Conceptualism is a survey of the artist’s entire career to date, incorporating paintings, sculptures, and installations from the late 1970s to the present, from both public and private collections in the United States and Europe.

Erik Parker

Modern Art Museum of Fort Worth
Through February 6, 2011

Erik Parker has described his work as “fragmented samples of our culture.” His complex fantasy portraits elicit the poignant, melancholy, grotesque, psychological, provocative, and almost always comical and surreal, baggage of our time.

Bret Slater

Free Museum of Dallas

New York artist Bret Slater, earning his MFA at Southern Methodist University, works in a diverse range of pragmatic materials, including cardboard, dry wall, staples, screws, nails, and tape. Whether painting within the aesthetic parameters of manufactured items, reinforcing tape installations with industrial fasteners, or floating rugged cuts of drywall in front of its plastered-over brethren, Slater’s work is a first responder to the language of functionality.

Marfa on View


Ballroom Marfa
Through February 20, 2011

Ballroom Marfa is pleased to announce the opening of Immaterial, an exhibition that will focus on the physical and psychic tensions between form, color, and space across varied visual and structural mediums. Curated by Executive Director Fairfax Dorn, the exhibition seeks to examine the metaphysical aspects of artistic production through a selection of artworks that challenge the use of material and space, formalism and abstraction. By using the exhibition as a forum to contemplate process-driven practices, Immaterial will consider art's potential to transcend conscious states through a plurality of visual languages

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