Exhibitions

Austin on View

Kara Braciale

SOFA Gallery
Through May 20

In The Repeat, Boston artist Kara Braciale presents a series of gouaches that mimic the weft and the weave of Ikat styled tapestries. Through the careful marking out of patterns and the repeating gesture of filling-in lines with color, Braciale combines the act of weaving with the act of mark making. And it is possible to approach these paintings the way one might approach a tapestry; that is, to see the “threading,” process and information, while also experiencing the pattern as a work created through the accumulation of time.

The Sultans Played Creole

Champion
Through May 28

Champion is pleased to announce The Sultans Played Creole, a group exhibition organized by James Cope and featuring Kadar Brock, Branton Ellerbee, Nick Mathis, Cody Poole, Caris Reid, Amy Revier and Marjorie Schwarz. The title references the Dire Straits song “Sultans of Swing”, which was released on their debut album in 1978 and deals with shifts and breakdowns of cultural borders, particularly the divide between North and South in the U.S.

Walker Pickering

B. Hollyman Gallery
Through June 1

Nearly West is a series Pickering has been working on for close to three years. Inspired by the open road and the temporary relocation it provides, these square-format photographs offer a thoughtful documentation of American places and things. With his smart use of color, Pickering captures rural roads, urban and natural landscapes, and traces of the people who live there in a way that transcends the banality of these everyday markers. The images are distinct in mood, each with a balancing peacefulness.

Sabra Booth, Margaret Craig, Daniel Kaplan, and Leigh Anne Lester

grayDUCK Gallery
Through June 19

Natural forms, genetic modification, flickering conversation and molecular structures are all explored in this organic show. Rock, Paper, Carbon features mixed media on paper from Sabra Booth, mixed media sculptures from Margaret Craig, paper mache sculptures from Daniel Kaplan and carbon drawings by Leigh Anne Lester.

Jack Strange

Arthouse
Through July 3

British artist Jack Strange makes conceptual works in a wide variety of media including sculpture, photography, video, works on paper, and performance. Characterized by a cheeky wit, his work is visually engaging and frequently causes the viewer to do a double take. Strange finds beauty in the mundane and humorously celebrates the banal by appropriating everyday items and subjecting them to simple manipulation.

Javier Tellez

Arthouse
Through July 31

Letter on the Blind, For the Use of Those Who See is an emotionally stirring film by Venezuelan-born, New York-based Javier Téllez whose work weaves fiction and documentary in an elegant investigation of marginalized populations (such as the disabled and mentally ill). Téllez's film, which premiered at the 2008 Whitney Biennial, is based on the ancient Indian parable, "The Blind Men and the Elephant."

Ely Kim

Arthouse
Through August 28

Ely Kim likes to dance. In Boombox, Kim dances in hallways, bathrooms, artists’ studios, living rooms, classrooms, garages, and many other locations. With musical selections ranging from ABBA to The Smiths, Status Quo to Le Tigre, and Busta Rhymes to Whitney Houston, Kim dances his way through 100 familiar pop songs, in 100 locations, shot in 100 days, and edited to under 10 minutes.

About Face: Portraiture as Subject

The Blanton Museum of Art
Through September 4

About Face features 35 portraits in diverse mediums from antiquity to today. Drawn mostly from The Blanton’s notable collection, along with several choice loaned objects, the exhibition includes works by artists known for their probing investigations of the genre, such as Albrecht Dürer, Rembrandt van Rijn, Jean-Auguste-Dominique Ingres, John Singer Sargent, Diego Rivera, Sir Jacob Epstein, Antonio Berni, Alice Neel, Chuck Close, Robert Henri, Andy Warhol, Yasumasa Morimura, Charles Umlauf, Oscar Muñoz, and Kehinde Wiley.

Austin Closings

Apparent Weight: 2011 MFA Studio Art Exhibition

Vaulted and Arcade Galleries of the Visual Arts Center on UT Campus
Through May 14

Apparent weight is a term from physics that indicates an objects relative, perceived weight within a closed system. In an accelerating, ascending elevator, an individual senses a greater downward force than usual; in that moment, that person’s apparent weight has increased. Conversely, underwater, or in free fall, that same person perceives weightlessness. An object’s apparent weight is both quantifiable but shifting, concrete but infinitely variable. A vantage point outside of the system is required to take an accurate measurement of apparent weight. This is because apparent weight is relative to its context; in relationship to artistic production, it would encompass factors like cultural values, art historical frameworks and personal histories. The artists in this exhibition ask the viewer to consider the work’s apparent weight—that is, a weight that is both obviously present and not yet proven.

2011 MFA Design Exhibition

East Gallery of Visual Arts Center on UT Campus
Through May 14

This year’s MFA Design class developed practice-based research out of a curricular framework organized around the theme of mapping. As a design process, mapping encompasses the framing, digging, arraying, and presenting of information, and is a useful way for designers to stake out territory and negotiate space and complex problems. Mapping does not necessarily define the projects represented here, but it serves as an underlying process, reminding us that design is an activity inextricably tied to pragmatic, real-world problems, where solutions emerge by carefully surveying the situation and the materials at hand.

Jeff Stanley

Center Space Gallery of the Visual Arts Center on UT Campus
Through May 14

For the second 2011 Fade In series, the VAC presents a video reel especially created by M.F.A. candidate Jeff Stanley. Stanley will be presenting his work, Re_FX, and this edition of Fade In will only be on view from the window facing Trinity Street. Join us for the unveiling of this video exhibit outside the VAC, along Trinity Street, following the Opening Exhibition for 2011 Student Art and Design Exhibitions.

New Art in Austin: 15 to Watch

Austin Museum of Art
Through May 22

New Art in Austin: 15 to Watch is the fourth exhibition in a triennial showcase that spotlights emerging artists from Central Texas whose work stretches the boundaries of contemporary art. Accompanied by a full-color scholarly catalogue, the exhibition will bring cutting edge work in a variety of media to a broad audience.

Recovering Beauty: The 1990s in Buenos Aires

The Blanton Museum of Art
Through May 22

Recovering Beauty: The 1990s in Buenos Aires is the first comprehensive presentation of art produced during the 1990s in Buenos Aires, a time of pivotal transformation in Argentina. The exhibition will focus on the work of artists identified as the “arte light” group, which rose to prominence during this decade.

San Antonio Closings

Jung Hee Mun

Sala Diaz
Through May 15

Mun is on a “quest to identify the constant processes within and about the self, and the mind’s struggle to rationalize and understand how to be a self.”

New Works 11.1

Artpace
Through May 22

E.V. Day's deconstructive style puts all clothing at risk, from women's undergarments to wedding gowns. Devon Dikeou seeks to "reiterate or re-enrich Conceptual models in their physical reality, often reinterpreting these models through an autobiographical twist." Kelly Richardson's computer-generated videos and photographic works serve to obscure the limits between fantasy and reality. Curated by Heather Pesant.

H. Jennings Sheffield

UTSA Satellite Space Gallery
Through May 22

Tethered is a combination of archival digital prints mounted on panels and a video installation with sound. The work is conceptual and based on images Sheffield photographed over a 3 month period of time, documenting her life as an artist, student, mother, and wife. Pulling from thousands of images, she chose 4 to 6 images from the same time of day but on different days of the week and then separated the image into slices using a mathematical formula. She then digitally integrated the slices from different days to create a single, compressed image of time. Once compressed, and as in real life, all the different events and interactions merged into a singular life experience.

Gissette Padilla

UTSA Satellite Space Gallery
Through May 22

In All that I Remember, Gissette Padilla addresses the notion of memory as a constant re-construction. Using painting, drawing, and various printmaking techniques, she construct multi-layered images that evoke the experience and residual energy of fragmented spaces, with the consistently shifting moments that make up a single memory. Her paintings are amalgamations of real, distorted, and perceived experience built from the fragments of personal photographs, memories, and found images. Visually representing both the construction and crumbling of memory, the work exists in the unrefined space between past and present.

Houston Openings

Nathan Green

Art Palace
Opening Reception: May 20, 6-8pm

Nathan Green's work explores the visual language and structural qualities of abstract painting. By combining the tropes of modern abstraction with contemporary craft techniques and common construction methods, Green creates idiosyncratic works that evade categorization and blur the boundaries of their medium. Inherent in all of Green's work is a palpable sense of playfulness, experimentation, and a curiosity that becomes the guiding force on a search for the ecstatic.

Museum of Broken Relationships

Blaffer Art Museum
Opening Reception: May 21, 6-9pm

Conceptualized in Zagreb, Croatia, by Olinka Vistica and Drazen Grubisic, after the couple ended their own romantic relationship in 2006, the Museum of Broken Relationships was established by the two to create a space of protected remembrance where the material and nonmaterial heritage of broken relationships can be witnessed, and where these experiences can move beyond the individual into a universal understanding.The public is invited to an opening reception in celebration of the exhibition on Saturday, May 21. Admission is free, and complimentary cocktails will be provided.

Houston on View

Marc Bell and Jim Woodring

Lawndale Art Center
Through June 4

Some artists record the world, some interpret it, and some distort it. A few, like Jim Woodring and Marc Bell, create their own worlds. They represent a certain strain in modern comics-a world of fantasy influenced by childrens books, pre-war newspaper comic strips and illustration, and contemporary art.

Leigh Merrill

Lawndale Art Center
Through June 4

Leigh Merrill's work is driven by an interest in regionalism and the cultural signifiers of particular places. She has photographed the places where she has lived, motivated by curiosity about the architecture that surrounds us and how it reflects larger ideas of beauty, class, romanticism and perfection.

Hillerbrand+Magsamen, Daniel McFarlane, & Anthony Thompson Shumate

Lawndale Art Center
Through June 4

This exhibition features residents for the fifth year of the Lawndale Artist Studio Program, Hillerbrand+Magsamen (Stephan Hillerbrand and Mary Magsamen), Daniel McFarlane and Anthony Thompson Shumate. The exhibit includes abstract paintings, video art and installations.

Brad Troemel

The Joanna
Through June 11

Brad Troemel's exhibit, PA, is a survey of surplus recognition or what he believes to be the most hateful comments of his detractors on the internet. To disrupt the false binary of positive or negative attention, Troemel proves their equality and offers a model of repossessed agency for those who are the subject of similar resentment. Through image appropriation, he reclaims the surplus of unfavorable judgments he had thus far publicly ignored. Think of these images’ relation to capitalism’s logic of valued scarcity. If the only thing more difficult than becoming a beloved Web 2.0 artist is to become reviled artist, then there is no Internet art as valuable as the objects Troemel exhibits here.

Window into Houston

Blaffer Art Museum
Through June 22

Blaffer Art Museum at the University of Houston will debut a new exhibition series, Window into Houston, at 110 Milam Street in downtown Houston. This exhibit is dedicated to showcasing the work of Houston artists in a unique and highly public setting that allows for focused two-part installation in the windows of a historic building.

Kim Anno

Skydive
Through May 28

Kim Anno states about her recent work, “Climate change and the rising level of the oceans, and the issue of water in itself has become a central focus in my work. I am performing hydrodynamic experiments in labs, tanks, creeks, rivers, oceans, and various other bodies of water.” Anno includes video footage from a recent trip to Galveston in the exhibition.

Carmen Flores

Lawndale Art Center
Through June 4

Carmen Flores' drawings explore the proliferation of violence in the culture and its impact on the human psyche. The imagery in Flores' work is drawn from personal safety tutorials, police reports and press accounts of violence drawn in graphite and chalk.

Houston Closings

Linda Post

Art Palace
Through May 14

Linda Post explores how perception and individual position can be examined in experiential video installations, sound works, media sculpture and photography. Wherever presents a group of discreet works that extend her exploration of the site-specific to the idea of the ideal exhibition space as a neutral non-site. The white cube is addressed as nowhere or wherever. A choreography of the everyday emerges as simple everyday actions are performed and systematized.

Miguel Angel Rojas

Sciardi Gallery
Through May 14

At the Edge of Scarcity pays homage to impoverished communities in Colombia, where residents live on the edge, often turning to drugs in the pursuit of an otherwise impossible future. This show includes text-based works on paper, one incorporating dollar bills and coca leaves that includes stylized lists of famous consumers (Sid Vicious) and dealers (La Perra, Machoviejo). Another highlights the incessant desire for “more, more, more.” Perhaps the most moving work in the exhibition is “Mirando la Flor” (Watching the Flower; 1997-2007), a decade-long project that includes a harrowing and intimate video showing a man wired on drugs and dying, who Rojas equates with the Dying Gaul, a masterpiece of Roman antiquity.

Jamal Cyrus

Bryan Miller Gallery
Through May 14

Rather than being an exhibition of discrete, contained works, DKONKR is more like an elaborately prepared puzzle with clues to the artist's intent spanning eras and epochs. From Egypt's first dynasty to early American slave culture and on to the civil rights era and modern Egypt, Cyrus masterfully finesses the societal and spiritual implications of materials, techniques and images. Placed in relation to one another, these elements suggest intriguing trans-dimensional and supra-historical narratives and connections.

Kristin Musgnug

Inman Gallery
Through May 15

Kristin Musgnug's Unnatural Histories features oil paintings of flora. Her "paintings spring from an interest in the complex interactions between people and nature, including how our concept of nature shapes our actions towards the land."

Mary Temple

Rice Gallery
Through May 25

Mary Temple paints directly on walls and floors creating installations that not only trick the eye, but also trigger memory by freezing a fleeting moment of passing time. Upon encountering a Mary Temple light installation, it is common for viewers to stick out a hand in an attempt to block the light they perceive as falling on the wall before them. Yet after a few moments of hand waving, they realize that the shards and patches of light they see are, in fact, painted on the wall. This moment of confusion is what Mary Temple calls the “not-knowing,” that moment when memory collides with experience causing the viewer to question what is real. Temple has refined her trompe l’oeil painting technique to convince the eye, mind, and body that somehow light has been captured, and so it has, in hundreds of thousands of tiny brushstrokes

Dallas Openings

Slice

Cohn Drennan Contemporary
Opening Reception: May 21, 6-8pm

Slice is an exhibition curated by artist Cande Aguilar exploring the similarity of line, color, texture and surface of four Texas artists – Michael Blair (Denton), Jesus De La Rosa (Kingsville), Jorge Puron (Eagle Pass) and Cande (Brownsville). Last year Cande began searching for and reaching out to artists with comparable sensibilities in an effort to share ideas, concepts, techniques, and possibly even develop a forum or peer group to identify with. The result of the discoveries and discussions within this group of artists is the exhibition, Slice.

Kim Squaglia

Holly Johnson Gallery
Opening Reception: May 21, 6-8pm

Kim Squaglia's meticulous and labored technique consists of multiple layers of delicately painted patterns and microscopic structures layered between coats of resin. In some cases, the resin is clear and glossy, like hard candy. In others, it's sanded and cloudy, creating a dreamier quality.

Dallas on View

XXI: Conflicts in a New Century

Oak Cliff Cultural Center
Through June 3

Co-curated by Charles Dee Mitchell and Cynthia Mulcahy, this exhibit examines conflicts in the first decade of the 21st century including wars in Iraq, Afghanistan, Lebanon, Congo, and Ivory Coast through photographs by many of the most notable artists, documentary photographers and photojournalists working today.

Gun and Knife Show

Central Trak
Through June 4

Co-curated by Heyd Fontenot and Julie Webb, this exhibit encompasses 40 different artists who have worked in the subject of guns and knives. This not only shows and investigates the public accessibility of gun and knives, but makes this exhibit accessible to all of the public through these subjects. The existence of guns and knives is psychologically provocative. Weapons were not a part of the natural world; humans desired them and brought them into being. Their specifically intended use is to destroy the biological material and tissues of which we are composed.

Noah Barker

Free Museum of Dallas
Through May 27

End Mart is the nonproductive marker place. We all know how hard it is sometimes to let go of purpose, of function, of thought, unless of course the release itself is prepackages and preconceived. End Mart offers consumers the means by which to achieve complete, pure, unproduction without the hassle and with a complimentary bag upon purchase. For the more tentative buyer, weary of unencumbered freedom, introductory products are also available.

Juergen Teller

Dallas Contemporary
Through August 21

The photographs in Man with Banana, a large-scale exhibition, will survey Juergen Teller’s oeuvre and include many new and unseen works from the last year. Blurring the distinction between his commercial and non-commercial work, Teller takes a story-telling approach to this exhibition by combining images of family and friends interwoven with known and at times abstract metaphors.

Jim Lambie

Goss Michael Foundation
Through September 3

Jim Lambie has discussed the relationship between the tape works and the solid objects they incorporate in terms of a jazz ensemble, comparing the tape to the “baseline played by the drums and bass” and the pieces placed on top to the “guitar and vocals.

Campbell Bosworth

Webb Gallery
Through July 17

Campbell Bosworth uses his skills of woodworking and his formal training in painting to create narratives of life on the border of Texas. In this show there are two (Gun Bars) which demonstrate a melding and shows an incredible narrative through their over the top work. The highly carved and guild revolver bar spins to hold 6 tequila bottles is covered in carved detail of the subject and their larger than life expolits.This is only one of the incredible pieces in this show-- from carved tequila bottles, drug lord portraits, huge carved Narco Bling, rocket launcher, and a trigger finger-- all work together to tell the story of the cartel’s accumulation of status and power

Dallas Closings

Brian Fridge

Dunn and Brown Contemporary
Through May 14

For this exhibition Brian Fridge presents a site-specific video projection in the project gallery. This video, Sequence 36.1, is part of a new catalog of silent, black and white videos. The photographic prints in the exhibitions are stills taken from the videos

The Illustrations for Our Afflicted Powers

Free Museum of Dallas
Through May 27

The artists participating in this project include Matt Cusick, Tuba Öztekin Köymen, Michelle Mackey, Anna Membrino, Savannah Niles, Ahn-Thuy Nguyen, Laray Polk, Tiana Wages and Sally Warren. Their artworks are inspired by passages selected from either of two publications: Afflicted Powers: Capital and Spectacle in a New Age of War, or Empire of Illusion: The End of Literacy and the Triumph of Spectacle. These publications present powerful critiques of US society and foreign policy in the wake of the events of September 11, 2001. Through imaginative and often oblique responses to these books, these Texas artists demonstrate the many ways in which image and text interact above and beyond a conventional understanding of illustration.

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