Issue #175
Mystic Truths & Offbeat Revelations September 30, 2011


Austin Openings

Dameon Lester, Jessica McCambly and L. Renee Nunez

grayduck Gallery
Opening reception: September 30, 7-9pm

Pattern Plan showcases artists Dameon Lester, Jessica McCambly, and L. Renee Nunez as they explore humankind's relationship with nature. Using repetition, negative space, and movement, these mixed media artists speak to both our detachment and captivation with the world around us.

Art Across the Americas

Nettie Lee Benson Latin American Collection Library of University of Texas at Austin
Opening reception: October 1, 6-9pm

Some of the Peruvian artists in this year's Austin exhibition will include Nelly Mayhua Mendoza, Doris Guiterrez, Emma Alcarraz Guia, Yolanda Velásquez Reinoso, Joe Marquez, Elsa Pulgar-Vidal, Cristina Duenas Pachas, and Del Nino Ladron. Nelly Mayhua Mendoza will be traveling from Peru to attend the reception. Felix Sampaio, a sculptor from Brazil will also be exhibiting and visiting Austin. Some of the local Austin artists include Catherine Small, Bill Oakey, Leslie Kell, Patricia Lyle, Paul McGuire, Dixie Rhoades, Connie Schaertl, Barbara Timko, Beverly Adams, John Bielss, Karen Burges, Beverly Cobb, Jill Alo, Lloyd Cuninngham, Tita Griesbach, Betty Jameson, Alonso Rey-Sanchez, and Marla Ripperda. Work by Marisa Boullosa, from Mexico, will also be exhibited.

Lalique Martinez and Twan Meijerink

Red Space Gallery
Opening reception: October 1, 6-10pm

As prompted by the literary work of André Gide’s L’Immoralist, the body of work examines Man’s Moral as a topographic entity. What is this thing? How does it affect the narrative— This process of building a life story in conjunction to the conflicting chameleon of memory? Through use of photography and installation, Man’s grapple with morality is featured as a separate object- affected by time, space, and context.

Austin on View

Koki Tanaka

Through October 16

Koki Tanaka's work contemplates the seemingly mundane range of choices and outcomes involved in the everyday. Examining objects and the connections they have with society, the world of art, and each other, Tanaka's work finds moments of beauty and interactivity in a landscape that seems otherwise devoid of interaction. Tanaka's piece Buckets and Balls uses combinations of ordinary objects to explore the concept of the 'decisive moment,' that instant between success and failure, popularized in the early 1950s by the French photographer Henri Cartier-Bresson. The banality of the props - ladders, chairs, wooden planks - and the repetitive nature of the actions being staged - a yellow ball continuously tossed at a blue bucket - somehow converge in a narrative of suspense, excitement, and relief.

Mostly 2+

Domy Books
Through October 20

Mostly 2+ is exactly that. The show is mostly Jim Houser and I (Tim Kerr) plus Merrilee Challiss, Chrissy Piper and maybe, just maybe, Dan Higgs. That’s pretty much it. No esoteric statements, just friends being friends to each other. Seems like it should happen A LOT more like that. Come if you can because who knows, You might just find out something about your own self by what you might see and/or who you might talk to at the show. Will there be music? ... Well, there is ALWAYS music

Cao Fei

Through October 30

Beijing-based artist Cao Fei's practice is based in video, photography, performance, installation, and internet-based art. She explores Chinese popular culture, while focusing on youth subcultures. Shadow Life, Cao's most recent video, is an adaptation of traditional Chinese shadow puppetry. Puppeteers typically created the shadow puppets by manipulating small, two-dimensional figures cut from paper or leather behind a silk screen with rear illumination. During the Song Dynasty (960 - 1279 CE), performances known as "large shadow shows" featured actors hidden behind the screen instead of puppets. The intricate hand puppets animating Shadow Life merge these traditional art forms to tell a distinctly contemporary story of modern China.

Sarah Buckius

Through November 6

Sarah Buckius' work combines aspects of photography, video, performance, and installation, employing her body to express and explore tension, anxiety, pattern, and interpersonal relationships. Her work often uses technology to transform the solitary moving body into something infinite and remote. Buckius' video trapped inside pixels transforms the artist's moving body into a collage of innumerable animated permutations. By digitally manipulating her image and tiling herself over and over again on the screen, Buckius converts her movements into a kaleidoscope of patterns-a single moving piece part of something much larger than herself, but with no apparent progression or move toward meaning. Her actions are sharp, jerky, and robotic-creating a feeling of unease and conveying how it may feel to be reduced to being a piece of an infinite, flat, digital landscape.

The Anxiety of Photography

Arthouse & Austin Museum of Art
Through December 30

Many of the works in The Anxiety of Photography reflect on the changing nature of our relationship to the materiality of images, as artists produce photographic prints from hand-painted negatives, violently collide framed pictures, arrange photographs and objects in uncanny still lives, or otherwise destabilize the photographic object. “They use the confusion that photographs can produce to create a more careful state of looking, a more open dive into pictures.”

Storied Past

Blanton Museum of Art
Through December 31

Storied Past explores the expressive and technical range of French drawing through preliminary sketches, compositional studies, figure studies, and finished drawings from the sixteenth through nineteenth centuries. Drawn primarily from the museum's renowned Suida-Manning Collection, the exhibition includes works by Jacques Callot, François Boucher, Jean-Baptiste Greuze, Théodore Rousseau, Jean-Louis Forain, and Théophile Alexandre Steinlen.

El Anatsui

Blanton Museum of Art
Through January 22, 2012

When I Last Wrote to You about Africa is a major retrospective of internationally renowned artist El Anatsui organized by the Museum for African Art in New York City. On view September 25, 2011 – January 22, 2012, the exhibition spans four decades and includes approximately 60 works drawn from public and private collections internationally.

Austin Closings

Wild Beasts

Through October 8

Champion is pleased to announce a group exhibition of painting and video entitled Wild Beasts, featuring Ryan Schneider, Daniel Heidkamp, Shara Hughes, Joshua Abelow, and Ezra Johnson. Wild Beasts is the English translation of Les Fauves, a 20th-century movement of painters—including Henri Matisse—known for the use of untamed color and gestural, abstracted brushstrokes applied to portraits and landscapes.

San Antonio Openings

LLoyd Walsh and Georganne Dean

Sala Diaz
Opening reception: September 30, 7-11pm

This project is tenth in a series of two artist exhibitions built on the idea of duplex as exemplified by the double room layout of the gallery space, which is also half of a duplex. The curator’s strategy for the Duplex Series is based on the notion of "easy does it" as noted on an index card discovered inside a tattered copy of The Joy of Cooking, which was found on the street outside the gallery. The concept as outlined on the card is to carefully select artists that will likely produce intriguing combinations, then stand back and see what happens.

Clare Little

Three Walls
Opening reception: October 6, 6-8pm

Little spent her formative years in Las Vegas, Nevada, where the desert landscape blends into an ever changing skyline. It is a place where architectural construction/destruction mirrors the earth’s regenerative nature: decomposition and growth. This relationship between the tame and the feral has become her focus of exploration. Little strives to explore the majestic within the domestic by constructing animal imagery via construction materials, floral embellishments that recall entropy, and household furniture that reconfigure interior domestic space into fantastical woodland landscapes.

San Antonio on View

Michele Monseau

Unit B
Through November 5

elephant in the room is about reverence, melancholy, celebration, and feedback loops. The mind and the spirit come up with ways to fill empty space when any living creature is deprived of the natural feeding of its soul. Rhythm is primal, and comfort. Repetition is circular.

Chuck Ramirez

Blue Star Contemporary Art Center
Through November 6

Chuck Ramirez was an artist and designer who lived and worked in San Antonio, Texas. Ramirez, who died unexpectedly in November 2010, left a void in the contemporary art world, but also a legacy of artwork with an aesthetic both Minimal and Baroque. His large-scale photographic portraits and installations of banal objects are humorous, yet poignant, metaphors for the transient nature of consumer culture and the frailty of life.

Paul Jacoulet

San Antonio Museum of Art
Through November 6

Paul Jacoulet was the first foreigner to master printmaking in the Japanese tradition. The artist was born in France but spent most of his life in Japan. Eight Jacoulet prints showing scenes of Oceania comprise the first print rotation in the Asian Art Special Exhibitions Gallery, followed by eight prints depicting Korea.

San Antonio Closings

Nene Humphrey

McNay Art Museum
Through October 2

Humphrey moved from exploring the external human form to the internal, investigating the visual and emotional connections between images and the deep cellular workings of the human brain. Humphrey’s interest in the LeDoux Lab’s research led to investigations of pattern making in its many visual and cultural forms. Through her research she encountered Victorian mourning braiding—the practice of braiding hair in specific patterns, as a way to honor loved ones. She began to see a visual connection between the strands of neurological data that dictate primitive human emotions and the braiding. These handcrafted mourning braids are not only complex and beautiful but often appear similar to scientific patterns such as the DNA helix form and chromatin in the cell nucleus.

Houston Openings

Krista Brinbaum

Box 13
Opening reception: October 1, 7-9:30pm

New Growth uses artificial plants to reference the forms that living plants take around the Houston area. Inspirational forms range from the manicured to the overgrown. When Krista Brinbaum moved to Houston, she was struck by the carefully shaped plants and hedges fitting neatly inside fences or trimmed to enhance a brick wall. Meanwhile, posts and buildings in neglected areas sprout wild green hair-dos.

Lisa Choinacky

Box 13
Opening reception: October 1, 7-9:30pm

All of existence can be understood as a relationship. Alan Watts posited that our physical world is a system of inseparable things where everything exists with everything else. In this system of metasystems, each relationship aggregates with many, giving form to the universe. And within this pattern, even the most seemingly disparate of elements ultimately reveal themselves to be conjoined and interwoven. Is it coincidence that the world is made up of undividable opposites? Lisa Choinacky seeks to examine how this relates to that.

Jed Foronda & Emily Link

Box 13
Opening reception: October 1, 7-9:30pm

False Face High is a series of new work from Jed Foronda and Emily Link. Through installation, sculpture and 2D works, Foronda and Link articulate shared cultural apprehensions in tandem.

Monica Vidal

Box 13
Opening reception: October 1, 7-9:30pm

Temple Hive is the second in Monica Vidal's series of large scale forms whose purpose is to distort the relationship between body and sculpture. The first, Tumor Hive, represented the enormous emotional impact of an excised lump of cells gone amok. Temple Hive is inspired by the idiosyncrasies of Vidal's youth as they linger into hypothetical adulthood. She was then, as she is now, obsessed with escape, for both body and mind.

Barry Stone

Art Palace
Opening reception: October 15, 6-8pm

Darkside of the Rainbow, Barry Stone's first solo show at Art Palace, takes its title from the common practice of playing the 1939 film The Wizard of Oz and Pink Floyd's Darkside of the Moon (1973) album synchronously. Just as the superimposition of film and album suggests new associations emerging from the juxtaposition of seemingly incongruous elements, so too do Stone's groupings of photographs, drawings, collage and paintings.

Houston on View

Helen Altman

Moody Gallery
Through October 15

The work featured in Half-Life includes a wall installation of torch drawings, tree paintings in acrylic on paper, moving blankets, and burnt dictionary pages that illustrate an array of animals. Also on view is a wall painting of a beaver dam with flicker flame bulbs, as well as snow globes with cast plastic forms of the World Trade Center Towers, and cast plastic goldfish in water.

Anton Ginzburg

Blaffer Art Museum
Through November 27

At the Back of the North Wind is an exhibition of new works by Anton Ginzburg, which will be open to the public from June 3 to November 27, 2011 during the 54th Venice Biennale at the Palazzo Bollani. Curated by Matthew J.W. Drutt, the exhibition has been chosen as an official participant of La Biennale di Venezia's Collateral Program. The exhibition of new works will feature a video installation that documents the artist's search for Hyperborea, a mythical northern territory. Large-scale sculptures, site-specific bas reliefs, photography, paintings, and a series of works on paper that document artist's travels and discoveries will also be displayed throughout the two floors of the palazzo.

Spirit of Modernism

Musem of Fine Arts Houston
Through January 29, 2012

The Spirit of Modernism pays tribute to the entrepreneurial spirit of businessman and art collector John R. Eckel, Jr. The friendship between John Eckel and the Museum of Fine Arts, Houston, lasted only five years before his untimely death in 2009. His art collection, now known as the John R. Eckel, Jr. Foundation Gift, lives on at the MFAH as an enduring legacy comprising 75 examples of Modernist American painting and sculpture, photography, and contemporary arts and design. This exhibition highlights the gifts in two locations on the museum’s campus: the Beck Building (Hevrdejs Gallery) and the Law Building (Alice Pratt Brown Gallery and Garden).

Houston Closings

Seth Alverson

Art Palace
Through October 8

Seth Alverson received his Bachelor of Fine Arts in Painting from the University of Houston, in 2002 and his Master of Fine Arts from Virginia Commonwealth University in 2010. This will be Alverson’s third solo exhibition with Art Palace.

Marc Swanson

Contempoary Art Museum of Houston
Through October 9

From his earliest works, Brooklyn-based artist Marc Swanson has made his topic the construction of self as an incomplete and always fragmentary project. Everything—including heavy metal, the Yeti, and hunting trophies—have become part of his artistic language. Perspectives 175: Marc Swanson: The Second Story features new sculptures by the artist that consider the worldview of the generations that have grown up since AIDS placed a final marker on the early era of gay liberation, severing the ties to that culture’s rich history. It’s been left to younger artists like Swanson to decipher and reinterpret the stories and images of that elder generation. The Second Story was a gay bar in San Francisco, long gone when the artist lived there but—in its punning name—haunting. The name might just mean that it was located on the second floor of a building, but it also suggests the layers of narrative that overlap in each patron’s life—the true, the false, and the mythic.

Dallas on View

New Variations

Talley Dunn Gallery
Through October 22

New Variations will feature art in various media, including paintings, drawings, sculpture, photographs, and installation-based work. Ranging in scale from the intimate to the monumental,the exhibition will highlight new and recent work by all of the gallery's artists.

Aaron Parazzette

Dallas Contemporary
Through December 4

For Aaron Parazette's exhibition at Dallas Contemporary, he will exhibit a combination of new and recent paintings along with a large-scale, site-specific wall painting. Parazette employs the formula of formalist painting through text imagery. For Parazette, his work is painting meeting both the past and future abstraction.

Dallas Closings

Otis Jones

Holly Johnson Gallery
Through October 8

In this exhibition of new work Otis Jones continues his investigation of abstraction. The new paintings alternate in hue and texture, ranging from flat to polished, to pitted topography. Evident is his unique signature of staples attaching canvas and linen to thick wooden supports - reinforcing the relationship of the side to the front of the painting and exposing traditional painting materials. In building up the surface media and alternately sanding it away, Jones foregrounds the status of his paintings as objects. For Otis Jones, minimalism operates as a place from which to begin. More importantly, it references his insistence, thematically, to produce work that blurs high and low distinctions.

Margaret Evangeline and Suguru Hiraide

Cohn Drennan Contemporary
Through October 8

Steel is a two-person exhibition presenting the work of Margaret Evangeline (New York, NY) and Suguru Hiraide (Wichita Fallas, TX). Both artists use steel as their medium to address evolving yet ever-present concerns of cultural and societal issues of identity.

El Paso Openings

Regina Silveria

Rubin Center
Opening reception: October 6, 5-7:30pm

Regina Silveira, is one of the most prominent Brazilian artists working today, and is renowned for her explorations of architectural space through geometric constructs. Silveira created Gone Wild Reversed for this exhibition and states, “by using the tracks of absent animals, the reaction I want to provoke is the degree of amazement of the unexpected, which can take you to an imaginary realm... Footprints and tracks have constituted a significant part of the indexical imagery whose meaning I have been investigating over the past few years. Their accumulation particularly interests me for its allegorical potential to allude to a ‘ghost’ event that took place and left a mark.”

New York Closings

Ian Pedigo

Klaus von Nichtssangend
Through October 16

Ian Pedigo continues to make sculptures imbued with artifactual significance. This is revealed through a process of peeling layers, creating visually formal relationships and conceptual congruence. The works begin with found images and objects that are added upon, altered, and edited in a process that echoes ritualistic practices. The results are forms woven from threads of banal occurrences and everyday life; evidence lying dormant in the dross surrounding us.

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