Issue #177
We’re Gonna Need A Bigger Boat October 28, 2011

Exhibitions

Austin Openings

Bradney Evans

Lora Reynolds Gallery
Opening Reception: Friday, October 28, 6-8pm

The three works on paper, titled Eclipse, Constellation and Sunset, each appear to simply be layered pieces of torn packing paper arranged to form rudimentary constructions that represent the cosmic events of their titles. The source of light particular to each event appears to emanate from behind the paper through small rips or imperfect intersections. Upon closer inspection, the drawings are, in fact, delicately and masterfully executed trompe-l’oeil renderings.

Sam Sanford

Red Space Gallery
Opening Reception: October 29, 7-10 pm

This exhibition represents Sanford’s continuing research into the limitations of the scientific worldview. Can empiricism and rationality discover everything that is real and true? Can they help us solve the most important problems, such as how to be happy? Or is rational thinking sometimes an obstacle to achieving our goals?

Tag We're It

Flatbed Press
Opening Reception: Saturday, November 5, from 6-9pm

Tag, We’re It is an exploration of the relationship between data, memory and aesthetics. Through the use of Augmented Reality tags, also called Quick Response (QR) codes), we can dissect the visual ‘there’s more information here’ symbol of the tags, which are easily scanned by anyone with access to the Internet and a smart phone or tablet. For more information, contact Melissa Ladd at mladd8@yahoo.com or click here. Not to be missed!

Ragnar Kjartansson

Arthouse
Opens Saturday, November 5

Ragnar Kjartansson’s work ranges from the use of traditional media such as painting, drawing, and video to the explorative practice of durational performance, for which he is primarily known. Throughout his practice, the concepts of theatricality, repetition, and identity serve as ever-recurring themes as he taps into nostalgic imagery from bygone eras of theatre, television, music, and art.

Wapatui

Gray Duck Gallery
Opening Reception: Saturday, November 5, 7-9pm

In honor of the upcoming holiday season, grayDUCK is throwing a Wapatui! If you're not from the Mid-west, you might know this under another name: Trash Can Punch, Suicide Punch, or maybe even a Hairy Buffalo; It's a drink created by the community. In that same spirit, I've asked fifteen fabulous artists from Austin and beyond to mix up a visual Wapatui.

Mai Yamashita and Naoto Kobayashi

Arthouse
Opens Monday, November 7

To produce Infinity, video art duo Yamashita and Kobayashi jogged for eight days in the pattern of an infinity sign until their footsteps inscribed the symbol in the flattened grass. Descended from artists who experiment with combinations of endurance and Land Art, such as Richard Long, Yamashita and Kobayashi employ nature as both the subject and medium of their work.

Henry Horenstein

B. Hollyman Gallery
Opening Reception: Saturday, November 19, 6-8pm

In collaboration with Austin Center for Photography (ACP), B. Hollyman Gallery will be exhibiting Henry Horenstein’s series Animalia, a collection of intimate and intriguing portraits of land and sea creatures made between 1995 and 2001. These portraits are at once abstract and telling. Horenstein shoots with a balanced uniqueness, experimenting with view, angle, and perspective.

Lisa Choinacky

Co-Lab
Opening Reception: Saturday, November 19, 7-11 pm

All of existence can be understood as a relationship. Alan Watts posited that our physical world is a system of inseparable things where everything exists with everything else. In this system of metasystems, each relationship aggregates with many, giving form to the universe. And within this pattern, even the most seemingly disparate of elements ultimately reveal themselves to be conjoined and interwoven.

Austin on View

Sarah Buckius

Arthouse
Through November 6

Sarah Buckius' work combines aspects of photography, video, performance, and installation, employing her body to express and explore tension, anxiety, pattern, and interpersonal relationships. Her work often uses technology to transform the solitary moving body into something infinite and remote. Buckius' video trapped inside pixels transforms the artist's moving body into a collage of innumerable animated permutations. By digitally manipulating her image and tiling herself over and over again on the screen, Buckius converts her movements into a kaleidoscope of patterns-a single moving piece part of something much larger than herself, but with no apparent progression or move toward meaning. Her actions are sharp, jerky, and robotic-creating a feeling of unease and conveying how it may feel to be reduced to being a piece of an infinite, flat, digital landscape.

something happened here

Champion
Through November 12

Champion is pleased to announce something happened here, curated by Jennie Lamensdorf. The two-person exhibition of painting, photography, and sculpture, features works by New York artists Yadir Quintana and Matthew Schenning.

Gael Stack

Holly Johnson Gallery
Through November 12

Gael Stack's new drawings continue to explore the ephemeral nature of memory and the past's implacable hold on the present. Her work incorporates fragments of words and images, often layered over one another to create a visual language with which she has made duration visible.

Renée Lotenero

SOFA Gallery
Through November 12

LA sculptor Renée Lotenero created an assignment for herself: draw one sketch per day. Lotenero has always sketched, especially during idle moments while traveling (she exhibited 204 of these small drawings at SOFA in 2009). For Three Hundred and Sixty-Five, Lotenero decided that no matter the circumstances of her day, whether she was traveling or in the studio, busy with family or work, she would create one small drawing.

Margaret Meehan

Women and Their Work
Through November 12

With images of Victoriana, pugilism, medical anomalies and barren landscapes, Margaret Meehan's work proposes a choreographed fight outside the circled square. The drawings, photographs and installations are derived from 19th c. cabinet cards. Here the innocent collide with the monstrous, evoking race, gender, and empathy for otherness. Interested in real and mythical monsters, she combines the man made with the freak of nature. Victims become aggressors and the feral becomes rarefied. White is emptied of purity and black is not in the dominion of abject mystery – instead both are transformed in a moment of spectacle filled with violence and beauty.

Hanne Lippard

Arthouse, Austin
Through November 27

Hanne Lippard’s video Beige utilizes the simplicity of the still image and an understated narrative to explore the color beige and its context within the artist’s own life, her perception of society, and ultimately, the universe. Although the video starts by focusing on the color, it soon becomes part of a larger discussion as the artist draws upon her past life experiences.

The Anxiety of Photography

Arthouse & Austin Museum of Art
Through December 30

Many of the works in The Anxiety of Photography reflect on the changing nature of our relationship to the materiality of images, as artists produce photographic prints from hand-painted negatives, violently collide framed pictures, arrange photographs and objects in uncanny still lives, or otherwise destabilize the photographic object. “They use the confusion that photographs can produce to create a more careful state of looking, a more open dive into pictures.”

Storied Past

Blanton Museum of Art
Through December 31

Storied Past explores the expressive and technical range of French drawing through preliminary sketches, compositional studies, figure studies, and finished drawings from the sixteenth through nineteenth centuries. Drawn primarily from the museum's renowned Suida-Manning Collection, the exhibition includes works by Jacques Callot, François Boucher, Jean-Baptiste Greuze, Théodore Rousseau, Jean-Louis Forain, and Théophile Alexandre Steinlen.

El Anatsui

Blanton Museum of Art
Through January 22, 2012

When I Last Wrote to You about Africa is a major retrospective of internationally renowned artist El Anatsui organized by the Museum for African Art in New York City. On view September 25, 2011 – January 22, 2012, the exhibition spans four decades and includes approximately 60 works drawn from public and private collections internationally.

Austin Closings

Dameon Lester, Jessica McCambly & L. Renee Nunez

grayduck Gallery
Through October 30

Pattern Plan showcases artists Dameon Lester, Jessica McCambly, and L. Renee Nunez as they explore humankind's relationship with nature. Using repetition, negative space, and movement, these mixed media artists speak to both our detachment and captivation with the world around us.

Art Across the Americas

Nettie Lee Benson Latin American Collection Library of University of Texas at Austin
Through October 30

Some of the Peruvian artists in this year's Austin exhibition will include Nelly Mayhua Mendoza, Doris Guiterrez, Emma Alcarraz Guia, Yolanda Velásquez Reinoso, Joe Marquez, Elsa Pulgar-Vidal, Cristina Duenas Pachas, and Del Nino Ladron. Nelly Mayhua Mendoza will be traveling from Peru to attend the reception. Felix Sampaio, a sculptor from Brazil will also be exhibiting and visiting Austin. Some of the local Austin artists include Catherine Small, Bill Oakey, Leslie Kell, Patricia Lyle, Paul McGuire, Dixie Rhoades, Connie Schaertl, Barbara Timko, Beverly Adams, John Bielss, Karen Burges, Beverly Cobb, Jill Alo, Lloyd Cuninngham, Tita Griesbach, Betty Jameson, Alonso Rey-Sanchez, and Marla Ripperda. Work by Marisa Boullosa, from Mexico, will also be exhibited.

Cao Fei

Arthouse
Through October 30

Beijing-based artist Cao Fei's practice is based in video, photography, performance, installation, and internet-based art. She explores Chinese popular culture, while focusing on youth subcultures. Shadow Life, Cao's most recent video, is an adaptation of traditional Chinese shadow puppetry. Puppeteers typically created the shadow puppets by manipulating small, two-dimensional figures cut from paper or leather behind a silk screen with rear illumination. During the Song Dynasty (960 - 1279 CE), performances known as "large shadow shows" featured actors hidden behind the screen instead of puppets. The intricate hand puppets animating Shadow Life merge these traditional art forms to tell a distinctly contemporary story of modern China.

San Antonio Closings

Loyd Walsh and Georganne Dean

Sala Diaz
Through October 30

This project is tenth in a series of two artist exhibitions built on the idea of duplex as exemplified by the double room layout of the gallery space, which is also half of a duplex. The curator’s strategy for the Duplex Series is based on the notion of "easy does it" as noted on an index card discovered inside a tattered copy of The Joy of Cooking, which was found on the street outside the gallery. The concept as outlined on the card is to carefully select artists that will likely produce intriguing combinations, then stand back and see what happens.

Clare Little

The Walls
Through October 30

Little spent her formative years in Las Vegas, Nevada, where the desert landscape blends into an ever changing skyline. It is a place where architectural construction/destruction mirrors the earth’s regenerative nature: decomposition and growth. This relationship between the tame and the feral has become her focus of exploration. Little strives to explore the majestic within the domestic by constructing animal imagery via construction materials, floral embellishments that recall entropy, and household furniture that reconfigure interior domestic space into fantastical woodland landscapes.

Michele Monseau

Unit B
Through November 5

elephant in the room is about reverence, melancholy, celebration, and feedback loops. The mind and the spirit come up with ways to fill empty space when any living creature is deprived of the natural feeding of its soul. Rhythm is primal, and comfort. Repetition is circular.

Chuck Ramirez

Blue Star Contemporary Art Center
Through November 6

Chuck Ramirez was an artist and designer who lived and worked in San Antonio, Texas. Ramirez, who died unexpectedly in November 2010, left a void in the contemporary art world, but also a legacy of artwork with an aesthetic both Minimal and Baroque. His large-scale photographic portraits and installations of banal objects are humorous, yet poignant, metaphors for the transient nature of consumer culture and the frailty of life.

Austin Openings

Ink Tank

Co-Lab
Opening Reception: Saturday, November 5, 7-11 pm

Ink Tank is an evolving artist collective with the expressed purpose of executing creative ideas in all media. Through collaboration and experimentation, the flux of members in the collective creates a space for projects that compliment each other’s abilities and motivations. The individual parts discover a whole within the unity of sharing ideas and offering support.

San Antonio Closings

Paul Jacoulet

San Antonio Museum of Art
Through November 6

Paul Jacoulet was the first foreigner to master printmaking in the Japanese tradition. The artist was born in France but spent most of his life in Japan. Eight Jacoulet prints showing scenes of Oceania comprise the first print rotation in the Asian Art Special Exhibitions Gallery, followed by eight prints depicting Korea.

Houston on View

Barry Stone

Art Palace
Through November 12

Darkside of the Rainbow, Barry Stone's first solo show at Art Palace, takes its title from the common practice of playing the 1939 film The Wizard of Oz and Pink Floyd's Darkside of the Moon (1973) album synchronously. Just as the superimposition of film and album suggests new associations emerging from the juxtaposition of seemingly incongruous elements, so too do Stone's groupings of photographs, drawings, collage and paintings.

Anton Ginzburg

Blaffer Art Museum
Through November 27

At the Back of the North Wind is an exhibition of new works by Anton Ginzburg, which will be open to the public from June 3 to November 27, 2011 during the 54th Venice Biennale at the Palazzo Bollani. Curated by Matthew J.W. Drutt, the exhibition has been chosen as an official participant of La Biennale di Venezia's Collateral Program. The exhibition of new works will feature a video installation that documents the artist's search for Hyperborea, a mythical northern territory. Large-scale sculptures, site-specific bas reliefs, photography, paintings, and a series of works on paper that document artist's travels and discoveries will also be displayed throughout the two floors of the palazzo.

Spirit of Modernism

Museum of Fine Arts Houston
Through January 29, 2012

The Spirit of Modernism pays tribute to the entrepreneurial spirit of businessman and art collector John R. Eckel, Jr. The friendship between John Eckel and the Museum of Fine Arts, Houston, lasted only five years before his untimely death in 2009. His art collection, now known as the John R. Eckel, Jr. Foundation Gift, lives on at the MFAH as an enduring legacy comprising 75 examples of Modernist American painting and sculpture, photography, and contemporary arts and design. This exhibition highlights the gifts in two locations on the museum’s campus: the Beck Building (Hevrdejs Gallery) and the Law Building (Alice Pratt Brown Gallery and Garden).

Houston Closings

Jed Foronda & Emily Link

Box 13
Through November 5

False Face High is a series of new work from Jed Foronda and Emily Link. Through installation, sculpture and 2D works, Foronda and Link articulate shared cultural apprehensions in tandem.

Monica Vidal

Box 13
Through November 5

Temple Hive is the second in Monica Vidal's series of large scale forms whose purpose is to distort the relationship between body and sculpture. The first, Tumor Hive, represented the enormous emotional impact of an excised lump of cells gone amok. Temple Hive is inspired by the idiosyncrasies of Vidal's youth as they linger into hypothetical adulthood. She was then, as she is now, obsessed with escape, for both body and mind.

Lisa Choinacky

Box 13
Through November 5

All of existence can be understood as a relationship. Alan Watts posited that our physical world is a system of inseparable things where everything exists with everything else. In this system of metasystems, each relationship aggregates with many, giving form to the universe. And within this pattern, even the most seemingly disparate of elements ultimately reveal themselves to be conjoined and interwoven. Is it coincidence that the world is made up of undividable opposites? Lisa Choinacky seeks to examine how this relates to that.

Krista Brinbaum

Box 13
Through November 5

New Growth uses artificial plants to reference the forms that living plants take around the Houston area. Inspirational forms range from the manicured to the overgrown. When Krista Brinbaum moved to Houston, she was struck by the carefully shaped plants and hedges fitting neatly inside fences or trimmed to enhance a brick wall. Meanwhile, posts and buildings in neglected areas sprout wild green hair-dos.

Dallas Openings

Helen Frankenthaler and Philip Pearlstein

Opening Reception: Saturday, October 29, 6-8pm

Talley Dunn Gallery is pleased to present two concurrent exhibitions by iconic artists who have re-defined twentieth century painting, Philip Pearlstein and Helen Frankenthaler. Pearlstein’s subjects present straightforward, unidealized nudes without reference to mythology or allegory.Like her contemporary Pearlstein, Helen Frankenthaler also re-defined the history of post-war American painting in her own way – with a radical treatment of the canvas. By pouring pigment directly onto large-scale, unprimed canvases and avoiding the gestural brushstrokes of the abstract expressionist painters, Frankenthaler achieved a transparency of color that has inspired subsequent generations of artists, including Kenneth Noland and Morris Louis.

Dallas on View

Aaron Parazzette

Dallas Contemporary
Through December 4

For Aaron Parazette's exhibition at Dallas Contemporary, he will exhibit a combination of new and recent paintings along with a large-scale, site-specific wall painting. Parazette employs the formula of formalist painting through text imagery. For Parazette, his work is painting meeting both the past and future abstraction.

...painting is a philosophical endeavor, duh!

Oliver Francis Gallery
On view

Group show featuring mixed media installation and performance.

El Paso on View

Regina Silveira

Rubin Center
Through December 10

Regina Silveira is one of the most prominent Brazilian artists working today, and is renowned for her explorations of architectural space through geometric constructs. Silveira created Gone Wild Reversed for this exhibition and states, “by using the tracks of absent animals, the reaction I want to provoke is the degree of amazement of the unexpected, which can take you to an imaginary realm... Footprints and tracks have constituted a significant part of the indexical imagery whose meaning I have been investigating over the past few years. Their accumulation particularly interests me for its allegorical potential to allude to a ‘ghost’ event that took place and left a mark.”

Wimberley Openings

Katie Maratta and Randy Twaddle

d berman gallery
Opening Reception: Saturday, November, 5-7 pm

D Berman Gallery presents two Texas artists with contrasting views of landscape.

Palmerston North, New Zealand Closings

Bogdan Perzynski

Engine Room, Massey University
Closing October 29

Selected photographic documents and video works of Bogdan Perzynski

... might be good

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