Issue #178
Any Port In A Storm November 11, 2011


Austin Openings

Jasmyne Graybill

Women and Their Work
Opening Reception: Saturday, November 19, 7 - 9pm

Jasmyne Graybill draws from the familiar forms of fungus, lichen, and mold to create installations and sculptures that are inspired by the innate logic of natural growth and decay. Her work reflects the intrinsic beauty of these processes and intimate ecosystems. She invents and sculpts fictional organisms that graft onto manufactured domestic objects and infest the nooks and crannies of their "host" architectural spaces.

Dieter Geisler

Red Space
Opening Reception: Saturday, November 19, from 7-10pm

Preservation/Conservation will involve sculptural works and altered artifacts that deal with highlighting the impossible nature of conserving and preserving what is important, mundane and absurd.

Dornith Doherty

Holly Johnson Gallery
Opening Reception: Saturday, November 19, 6-8pm

In this new body of work, stockpile, Doherty explores the role of seed banks and their preservation efforts in the face of climate change, the extinction of natural species and decreased agricultural diversity.

Sam Prekop and Michael Sieben

Tiny Park
Opening Reception: Friday, December 9, 2011, 7 - 11pm

Sam Prekop, part of the widely acclaimed band, The Sea and Cake, will feature drawings, paintings and photographs. Like his music, his visual art demonstrates a strategic restraint and focus on the subtle qualities of mood and atmosphere. Michael Sieben is a founding member of Okay Mountain Gallery/Collective. The characters populating Sieben's work seem to bear the weight of (some very heavy) experience, but maintain an almost ridiculous optimism in the face of disaster and absurdity.

Austin on View

Bradney Evans

Lora Reynolds Gallery
Through December 3

The three works on paper, titled Eclipse, Constellation and Sunset, each appear to simply be layered pieces of torn packing paper arranged to form rudimentary constructions that represent the cosmic events of their titles. The source of light particular to each event appears to emanate from behind the paper through small rips or imperfect intersections. Upon closer inspection, the drawings are, in fact, delicately and masterfully executed trompe-l’oeil renderings.


Gray Duck Gallery
Through December 18

In honor of the upcoming holiday season, grayDUCK is throwing a Wapatui! If you're not from the Mid-west, you might know this under another name: Trash Can Punch, Suicide Punch, or maybe even a Hairy Buffalo; It's a drink created by the community. In that same spirit, I've asked fifteen fabulous artists from Austin and beyond to mix up a visual Wapatui.

Ragnar Kjartansson

Through December 30

Ragnar Kjartansson’s work ranges from the use of traditional media such as painting, drawing, and video to the explorative practice of durational performance, for which he is primarily known. Throughout his practice, the concepts of theatricality, repetition, and identity serve as ever-recurring themes as he taps into nostalgic imagery from bygone eras of theatre, television, music, and art.

The Anxiety of Photography

Arthouse & Austin Museum of Art
Through December 30

Many of the works in The Anxiety of Photography reflect on the changing nature of our relationship to the materiality of images, as artists produce photographic prints from hand-painted negatives, violently collide framed pictures, arrange photographs and objects in uncanny still lives, or otherwise destabilize the photographic object. “They use the confusion that photographs can produce to create a more careful state of looking, a more open dive into pictures.”

Storied Past

Blanton Museum of Art
Through December 31

Storied Past explores the expressive and technical range of French drawing through preliminary sketches, compositional studies, figure studies, and finished drawings from the sixteenth through nineteenth centuries. Drawn primarily from the museum's renowned Suida-Manning Collection, the exhibition includes works by Jacques Callot, François Boucher, Jean-Baptiste Greuze, Théodore Rousseau, Jean-Louis Forain, and Théophile Alexandre Steinlen.

Mai Yamashita and Naoto Kobayashi

Through January 8, 2012

To produce Infinity, video art duo Yamashita and Kobayashi jogged for eight days in the pattern of an infinity sign until their footsteps inscribed the symbol in the flattened grass. Descended from artists who experiment with combinations of endurance and Land Art, such as Richard Long, Yamashita and Kobayashi employ nature as both the subject and medium of their work.

El Anatsui

Blanton Museum of Art
Through January 22, 2012

When I Last Wrote to You about Africa is a major retrospective of internationally renowned artist El Anatsui organized by the Museum for African Art in New York City. On view September 25, 2011 – January 22, 2012, the exhibition spans four decades and includes approximately 60 works drawn from public and private collections internationally.

Henry Horenstein

B. Hollyman Gallery
Through January 31, 2012

In collaboration with Austin Center for Photography (ACP), B. Hollyman Gallery will be exhibiting Henry Horenstein’s series Animalia, a collection of intimate and intriguing portraits of land and sea creatures made between 1995 and 2001. These portraits are at once abstract and telling. Horenstein shoots with a balanced uniqueness, experimenting with view, angle, and perspective.

Austin Closings

something happened here

Through November 12

Champion is pleased to announce something happened here, curated by Jennie Lamensdorf. The two-person exhibition of painting, photography, and sculpture, features works by New York artists Yadir Quintana and Matthew Schenning.

Gael Stack

Holly Johnson Gallery
Through November 12

Gael Stack's new drawings continue to explore the ephemeral nature of memory and the past's implacable hold on the present. Her work incorporates fragments of words and images, often layered over one another to create a visual language with which she has made duration visible.

Renée Lotenero

SOFA Gallery
Through November 12

LA sculptor Renée Lotenero created an assignment for herself: draw one sketch per day. Lotenero has always sketched, especially during idle moments while traveling (she exhibited 204 of these small drawings at SOFA in 2009). For Three Hundred and Sixty-Five, Lotenero decided that no matter the circumstances of her day, whether she was traveling or in the studio, busy with family or work, she would create one small drawing.

Margaret Meehan

Women and Their Work
Through November 12

With images of Victoriana, pugilism, medical anomalies and barren landscapes, Margaret Meehan's work proposes a choreographed fight outside the circled square. The drawings, photographs and installations are derived from 19th c. cabinet cards. Here the innocent collide with the monstrous, evoking race, gender, and empathy for otherness. Interested in real and mythical monsters, she combines the man made with the freak of nature. Victims become aggressors and the feral becomes rarefied. White is emptied of purity and black is not in the dominion of abject mystery – instead both are transformed in a moment of spectacle filled with violence and beauty.

Hanne Lippard

Through November 27

Hanne Lippard’s video Beige utilizes the simplicity of the still image and an understated narrative to explore the color beige and its context within the artist’s own life, her perception of society, and ultimately, the universe. Although the video starts by focusing on the color, it soon becomes part of a larger discussion as the artist draws upon her past life experiences.

San Antonio Openings

Más Rudas

Unit B
Opening Reception: Friday, November 18, 6:30-10pm

Unit B (Gallery) is pleased to present Más Rudas: Más Triste San Antonio on view in the gallery November 18, 2011 – January 7, 2012. Mas Rudas is Mari Hernandez, Kristin Gamez, Cristina Ordoñez, Sarah Castillo y Ruth Buentello. Their exhibition will explore the effects of a city that caters to tourism rather than its home grown residents.

Houston Openings

Dutch invasiON

Box 13
Opening Reception: Saturday, November 19, 2011, 7 - 9:30pm

BOX 13 ArtSpace is pleased to present two exhibitions opening November 19, 2011, 7 - 9:30PM. Dutch invasiON fills the Downstairs Front and Back BOX with work by five artists from the Netherlands in an exhibition curated by Maria Smits. Timothy Harding explores the role of scribbling in his process of concealing and revealing information in his Window BOX installation, Omitted.

Houston on View

Spirit of Modernism

Museum of Fine Arts Houston
Through January 29, 2012

The Spirit of Modernism pays tribute to the entrepreneurial spirit of businessman and art collector John R. Eckel, Jr. The friendship between John Eckel and the Museum of Fine Arts, Houston, lasted only five years before his untimely death in 2009. His art collection, now known as the John R. Eckel, Jr. Foundation Gift, lives on at the MFAH as an enduring legacy comprising 75 examples of Modernist American painting and sculpture, photography, and contemporary arts and design. This exhibition highlights the gifts in two locations on the museum’s campus: the Beck Building (Hevrdejs Gallery) and the Law Building (Alice Pratt Brown Gallery and Garden).

Houston Closings

Barry Stone

Art Palace
Through November 12

Darkside of the Rainbow, Barry Stone's first solo show at Art Palace, takes its title from the common practice of playing the 1939 film The Wizard of Oz and Pink Floyd's Darkside of the Moon (1973) album synchronously. Just as the superimposition of film and album suggests new associations emerging from the juxtaposition of seemingly incongruous elements, so too do Stone's groupings of photographs, drawings, collage and paintings.

Anton Ginzburg

Blaffer Art Museum
Through November 27

At the Back of the North Wind is an exhibition of new works by Anton Ginzburg, which will be open to the public from June 3 to November 27, 2011 during the 54th Venice Biennale at the Palazzo Bollani. Curated by Matthew J.W. Drutt, the exhibition has been chosen as an official participant of La Biennale di Venezia's Collateral Program. The exhibition of new works will feature a video installation that documents the artist's search for Hyperborea, a mythical northern territory. Large-scale sculptures, site-specific bas reliefs, photography, paintings, and a series of works on paper that document artist's travels and discoveries will also be displayed throughout the two floors of the palazzo.

Dallas on View

Helen Frankenthaler and Philip Pearlstein

Talley Dunn Gallery
Through December 10

Talley Dunn Gallery is pleased to present two concurrent exhibitions by iconic artists who have re-defined twentieth century painting, Philip Pearlstein and Helen Frankenthaler. Pearlstein’s subjects present straightforward, unidealized nudes without reference to mythology or allegory.Like her contemporary Pearlstein, Helen Frankenthaler also re-defined the history of post-war American painting in her own way – with a radical treatment of the canvas. By pouring pigment directly onto large-scale, unprimed canvases and avoiding the gestural brushstrokes of the abstract expressionist painters, Frankenthaler achieved a transparency of color that has inspired subsequent generations of artists, including Kenneth Noland and Morris Louis.

Dallas Closings

Aaron Parazzette

Dallas Contemporary
Through December 4

For Aaron Parazette's exhibition at Dallas Contemporary, he will exhibit a combination of new and recent paintings along with a large-scale, site-specific wall painting. Parazette employs the formula of formalist painting through text imagery. For Parazette, his work is painting meeting both the past and future abstraction.

El Paso on View

Regina Silveira

Rubin Center
Through December 10

Regina Silveira is one of the most prominent Brazilian artists working today, and is renowned for her explorations of architectural space through geometric constructs. Silveira created Gone Wild Reversed for this exhibition and states, “by using the tracks of absent animals, the reaction I want to provoke is the degree of amazement of the unexpected, which can take you to an imaginary realm... Footprints and tracks have constituted a significant part of the indexical imagery whose meaning I have been investigating over the past few years. Their accumulation particularly interests me for its allegorical potential to allude to a ‘ghost’ event that took place and left a mark.”

Wimberly Closings

Katie Maratta and Randy Twaddle

D Berman Gallery
Through December 3

D Berman Gallery presents two Texas artists with contrasting views of landscape.

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